Archive for the ‘black and white’ Category

Day 18…

It’s the “unpredictable” time here in the Philippines. The weather is unpredictable, it may change from sun into storm in under half an hour.
Today the weather’s been restless pretty much the whole time. Sun when we got into the water. Rain and heavy wind when we came up an hour later. The trip back to shore was rough, and we were already thinking that the second dive may not go. But then it changed again and we went out for the second dive, only to come up an hour later in high waves which made getting back on the vessel quite challenging. The rest of the day the wind has picked up, and the sea’s been rough. High waves, ominous clouds over the horizon, we might be in for a treat during the night.

The clouds in the sky made for a very dramatic picture and the waves rolling in on the beach added to that. I decided to go out with the camera to shoot some pictures.

Dramatic clouds over the horizon

D800, ISO100, 1/125 sec @ f/4, Nikkor 14-24mm

And then it did get rougher. Not completely out of the blue, but still quite sudden.

Dramatic clouds over the horizon

D800, ISO800, 1/500 sec @ f/2.8, Nikkor 14-24mm

And then I had to run back to dry the camera. It’s supposed to be … water repellent… Although salt water isn’t the best thing to be bathed in as a camera. I dried and cleaned it as good as I could. For now it’s still working. Hopefully it continues to.

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Aren’t they cute? (part umpteen)

I have a godson. And he has a little brother.
I may have mentioned them before

Due to mutually busy schedules we haven’t seen each other for quite some time, but today the whole family came over for a visit.
And lovely it was, as always. And yeah… Kids do grow fast. Crazy fast.

And my godson is still the cutest, with his baby brother putting up a stiff competition <3  :)

Baby brother and daddy

D800, ISO200, 1/250 sec @ f/2, Nikkor 50mm

Baby brother and mommy

D800, ISO200, 1/250 sec @ f/2, Nikkor 50mm

Baby brother <3

D800, ISO200, 1/250 sec @ f/2, Nikkor 50mm

Godson <3

D800, ISO200, 1/250 sec @ f/2, Nikkor 50mm

 

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Norway… Year two, who wouldn’t want to live here?

This was absolutely breath-taking. Even if it’s very simple to explain what you see, sometimes it’s hard to actually believe what you see.
And it’s remarkable how the weather influences your perception. We drove by this inlet several times and only once was it like this. When there was even the slightest breeze, and the water would start moving, the dream scenario disappeared instantly.

D800, ISO100, 1/250 sec @ f/5.6, Nikkor 50mm

D800, ISO100, 1/250 sec @ f/5.6, Nikkor 50mm

D800, ISO100, 1/250 sec @ f/5.6, Nikkor 50mm. 6 images stitched in Photoshop.

D800, ISO100, 1/250 sec @ f/5.6, Nikkor 50mm. 6 images stitched in Photoshop.

D800, ISO100, 1/250 sec @ f/5.6, Nikkor 50mm

D800, ISO100, 1/250 sec @ f/5.6, Nikkor 50mm

 

 

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Sometimes…..

….. when you expect one thing, you get something completely different.

That’s what happened when we went out for a sunrise shoot a week or so ago.
The weather was a bit… weird. I knew that if it would be completely overcast, the way it looked the day before, I wouldn’t go, because it wouldn’t be worth it, really. But the forecast said it would be partly overcast, which would be good. So we went out, and…
Yeah, it was completely overcast. I knew already then that what I’d be shooting would be monotone only. But it was good that we went, because even on totally overcast days you can find nice things to photograph.

D800, ISO100, 1 sec @ f/11, Nikkor 14-24mm

D800, ISO100, 1 sec @ f/11, Nikkor 14-24mm

D800, ISO100, 1 sec @ f/16, Nikkor 14-24mm

D800, ISO100, 1 sec @ f/16, Nikkor 14-24mm

D800, ISO100, 1/2 sec @ f/16, Nikkor 14-24mm

D800, ISO100, 1/2 sec @ f/16, Nikkor 14-24mm

D800, ISO100, 1/2 sec @ f/16, Nikkor 14-24mm

D800, ISO100, 1/2 sec @ f/16, Nikkor 14-24mm

D800, ISO100, 1/2 sec @ f/16, Nikkor 14-24mm

D800, ISO100, 1/2 sec @ f/16, Nikkor 14-24mm

(it’s funny how the color shifts when it’s rendered on the web. These images were all changed with the same setting in Lightroom, and look the same in full format. Here the hues are all over the map…)

Of course during the day the weather cleared up, and the clouds disappeared, bringing on yet another crisp and cold night.
I borrowed the Nikkor 300mm from a Buddy of mine (thanks Don!) and was presented with a good target in the early evening. Shot off the balcony of the apartment:

D800, ISO800, 1/1000 sec @ f/5.6, Nikkor 300mm + TC2 + TC1.4

D800, ISO800, 1/1000 sec @ f/5.6, Nikkor 300mm + TC2 + TC1.4

Tried to put 2 TC2s on top of each other, but that didn’t work. It’d require me to file off a piece of one of the TCs and that was a bit too much of the good :D
I like the image as it is, though. It’s a lot crisper than previous moon pictures I once took with my old Sigma 170-500mm.

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Snow storm

A snow storm always makes for nice pictures. Especially when you get to take the images from the relatively safe environment of your balcony and you get to see people struggling to get by from a distance… ;)

D800, ISO100, 1/250 sec @ f/8, Nikkor 70-200mm

D800, ISO100, 1/250 sec @ f/8, Nikkor 70-200mm

D800, ISO100, 1/250 sec @ f/8, Nikkor 70-200mm

D800, ISO100, 1/250 sec @ f/8, Nikkor 70-200mm

D800, ISO100, 1/250 sec @ f/8, Nikkor 70-200mm

D800, ISO100, 1/250 sec @ f/8, Nikkor 70-200mm

 

 

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Grand Lake – Rocky Mountains, landscapes

I can write loooong pieces of text about the landscapes.
They’re gorgeous. And they’re many. And they look different every day, especially when you have a sunny day one day and snow the next, and sun again the day after that.
Have a look:

Valley with a river running in between two mountain ranges

D800, ISO100, 1/125 sec @ f/5.6, Nikkor 50mm

Yellow line dividing the road running off into the distance

D800, ISO400, 1/250 sec @ f/11, Nikkor 70-200mm, Nikkor TC2

Boulders on top of a mountain in Rocky Mountain national park

D800, ISO100, 1/30 sec @ f/8, Nikkor 14-24mm

Logs in the partly frozen water of a lake

D800, ISO200, 1/250 sec @ f/8, Nikkor 50mm

Dirt road leading into the fog and into the Rocky Mountains

D800, ISO100, 1/30 sec @ f/11, Nikkor 50mm

Waterfall in a small stream covered with fallen trees

D800, ISO400, 1/4 sec @ f/11, Nikkor 50mm

Water fall in a small canyon in Grand Lake in the Rocky Mountains

D800, ISO100, 8 sec @ f/11, Nikkor 50mm, Singh-Ray VariND

Sunset over Grand Lake

D800, ISO100, 1/1000 sec @ f/11, Nikkor 50mm

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So then… the Rockies…

After all the fuss with the cards and then the image theft, I finally got around to do something with my images.
I’ll spread it out over a few posts, so I don’t have to write everything in one go, and you get to take your time looking at the scenery ;)

The initial idea was that we were going to photograph the fall colors. But my Buddy had already warned me to take warm clothes, because the weather was turning around rapidly.
And so it did. I flew in to Denver late one night. We slept a night, and went for a ride in Rocky Mountain National Park, slept for another night and went back along the same route.
These were two completely different days. Two completely different worlds. It was both amazing and stunning. But I’ll let the pictures do the talking:

Colorado River (as a baby)

D800, ISO400, 1/250 sec @ f/8, Nikkor 14-24mm

And 24 hours later:

Colorado River (as a baby)

D800, ISO200, 1/250 sec @ f/8, Nikkor 14-24mm

Traffic sign without snow

D800, ISO200, 1/125 sec @ f/8, Nikkor 50mm

And 24 hours later:

Traffic sign after a night of snow

D800, ISO200, 1/250 sec @ f/5.6, Nikkor 50mm

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If you take step 1…

… so step 2 was to check out the place from the inside.
The outside looked… well… unfinished. But the inside really was burnt to pieces. And that made for a couple of really gritty, dramatic black and whites…

Light streaming in through glassless windows of a farmhouse destroyed by fire

D800, ISO1600, 1/125 sec @ f/8, Nikkor 50mm

Office chair standing in a by fire destroyed room

D800, ISO1600, 1/125 sec @ f/8, Nikkor 50mm

Steps leading toward the non-existent second floor of a farmhouse destroyed by fire

D800, ISO100, 2 sec @ f/11, Nikkor 14-24mm

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Finding your pictures in unexpected places…

Once a month (or so) I sit down at the computer and go through my portfolio with Tineye and Google image search to back track my images on the net. It doesn’t always come up with something, but sometimes it actually does.
Yesterday and today I did my routine and at this point the counter is on 20+ non-commercial blogs and 3 commercial pages. Typically I don’t mind if people use my images on their blogs, as long as it is -indeed- non-commercial. I do require a credit line and/or a link back to my page, and if a blog doesn’t have it, I write the blog owner a mail to kindly add the credit line / link or remove the image. Usually they add the credit line. Sometimes they don’t. If they get wise on me I’ll write the host / provider a mail and then the image will be taken down in most cases by the host, but usually I don’t let it go that far, nor does the blog owner. Usually it is -still, can you believe it??- the blog owner thinking that “whatever’s on the internet I can use for free, since it’s public property”. A little bit of kindness and education goes a long way.

With the commercial ones I’m less forgiving.
Before I do anything I make screenshots of the websites / pages I find my images on, and, depending on the kind of commercial website, I check the Internet Archive to see if I can find out how long the image has been on the website. If you fail to do the first, which I did in my first few times, there’s always still the option to go through the Internet Archives, but it’s better to have a fresh screenshot of the website BEFORE they take down the pictures and start denying things.
Then I write them a mail, very friendly, very informal, to start with, asking them to kindly send me copy of the license they have on file for the image used, since I can’t find it in my archives. There’s always the possibility that they actually purchased the image through one of the agencies I’m with and that -for whatever reason- the sale never came through to me. In that case it’s not the fault of the company, but of my agent and I know I have to pull someone else’s hair.
Usually there’s a bit of tugging back and forth; denial (we didn’t do it, our web designer did, etc. etc.), ignorance (we didn’t know, we thought that [insert one of 10,000 excuses I've heard]), or just plain brutality (it’s in Google image search, so I can use it for free). In the end I mostly manage to settle. Until now (knock on wood!) I’ve only once had to step up with a lawyer, and of course, me having the raw file and all, it was a no-brainer. Can’t go into details, since they made me sign a gag-contract, but I got better off it. A lot better. And it would’ve been settled for a lot less had they not gone so idiotically Homer Simpson on me.
Anyway… After having done this for a couple of years now I thought I saw pretty much all the surprises.
But then again… Facebook hasn’t been around for THAT long.
So today I was at it again, and you can picture my surprise when one of my images, watermarked and all by one of my agencies, came up as a profile picture on a Facebook profile:

Facebook profile

Screenshot from the Facebook profile that has my picture

So this is an image that was ripped straight from Photographer’s Direct. The image here:
Man in a dark tunnel

This is a self-portrait I did a couple of years ago, so you can imagine that -even if I’m not recognizable in the picture- I don’t like it at all that someone’s using this particular image as a profile picture on Facebook. Sure, the image is for sale, but this wasn’t a sale, and the guy in question didn’t ask for permission to use this image.

So that’s the story of today…
Now I’m pondering whether I should contact the guy myself or should I ask Facebook to do the work for me…?
What say you, crowd?

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It’s been busy!

I got a lot of stuff done in the past week.

A year and a half or so ago I wrote about Photoshelter vs PhotoDeck. I quit Photoshelter in favor of PhotoDeck for the simple reason that PhotoDeck had better and more simple features and it was cheaper. Not too long ago I got a mail from Photoshelter inviting me to reacquaint myself with them for 30 days for free. I did. And I swung right back to Photoshelter. Their features have become so much better compared to what it was, and their prices so much more attractive than they were before that I just couldn’t let it go.
I’m still with PhotoDeck, but my subscription is ending in a few months. I haven’t decided yet if I will keep it up. Compared to Photoshelter they all of a sudden have become a lot more expensive, actually, for the storage space I get with Photoshelter now I would pay double the price with PhotoDeck. That’s too bad, because I really like them. But it’s business. And if I have to pay twice as much for a similar service, it simply is a no-go; that’s too big a difference.
So I’ve been editing and uploading and tweaking my new website with commercial back-end. You can find it at www.stockphotography.nu and it looks like this:

www.stockphotography.nu store-front

www.stockphotography.nu store-front

You can order prints, canvases, mugs, mouse pads or just the plain digital file. The whole nine yards. You can contact me for special prices if you find something you would like. You can do a search for pictures with the search box at the top right of the blog.

The other thing I’ve been collecting stuff for is the One Life photo competition from PDN. If my pictures are deemed good enough, I could win a nice prize. My page there looks like this:

Arno Enzerink portfolio for the One Life competition

Portfolio for the One Life competition

You are free to “Collect Me“, if you have the time and think the images are worth it. The images you see are crops, they are all links to the full size pictures. If you click the link Collect Me you are requested to either sign up or sign in with your Facebook or Twitter username. Do that, then click the image and in the window that opens then at the top right “Collect Me”. Or just leave a comment with the pictures and tell me what you think, that’s fine for me too :)
Thanks in any case!

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