Archive for the ‘black and white’ Category

Gimme some light(ning), please…

WOA! That was exciting!
Not that I haven’t seen thunderstorms before in my life, but still. This was one of the better ones we get in this -usually- thunderforsaken place. It all started when things got really, really dark really, really fast.

Thunderstorm

D700, ISO1600, 1/4 sec @ f/8, Nikkor 50mm

Usually I’m quite fast with taking out and setting up the stuff, but this time I was just so in awe about the power of the whole thing that I stood there on the balcony with the Better Half just watching it unfold. Then I quickly ran back inside, grabbed camera, tripod and remote shutter, put a plastic bag over the camera (it had started to rain really badly), set everything up on the balcony, put the camera on C-high with the remote shutter locked and a long exposure time. And then I continued to stand there with the Better Half watching it unfold (I even missed -like- an hour of Star Wars Return of the Jedi – which I’ve never seen before in my life!).

It was just too cool, literally, after having been fried in plastic balcony renovation plastic, which they took down only two days ago!

Lightning strikes during a heavy thunderstorm in Espoo, Finland

D700, ISO200, 10 sec @ f/19, Tamron 28-75mm

Lightning strikes during a heavy thunderstorm in Espoo, Finland

D700, ISO200, 10 sec @ f/27, Tamron 28-75mm

Lightning strikes during a heavy thunderstorm in Espoo, Finland

D700, ISO200, 30 sec @ f/16, Tamron 28-75mm

Summer weddings…

with a clear blue sky, a field of bright yellow rapeseed, a beautiful bride and an even so beautiful groom.

Manfred and Willeke

D700, ISO200, 1/500 sec @ f/9.5, Nikkor 70-200mm

Manfred and Willeke

D700, ISO200, 1/500 sec @ f/11, Nikkor 70-200mm

Manfred and Willeke

D700, ISO200, 1/500 sec @ f/11, Nikkor 70-200mm

Don’t you just love the contrast with the white, red and yellow? :)

And then there was of course the bride’s and groom’s son and one of the best men:

Son and Jan

D700, ISO200, 1/350 sec @ f/5.6, Nikkor 70-200mm and some more post-processing in Photoshop

It tells a story, that picture. Maybe not the story of a wedding, but a story nonetheless. One of my absolute favorites of the day. Together with this one:

Son

D700, ISO200, 1/250 sec @ f/5.6, Nikkor 50mm and some more post-processing in Photoshop

I was really pleased with the last one. The whole day he seemed to be aware of “the Photographer”. When I had him in the viewfinder he either would look/turn away or make a funny face. Here I caught him off-guard :)

Classic American cars in Helsinki

Last Friday night there was a big Classic American car tour in Helsinki. Lots of nice cars: old ones, newer ones, new ones, small ones, bigger ones, huge ones… Great photo opp! Usually the drivers/owners of the cars also dress up to match the era of their car. Unfortunately this time I didn’t see much of that, and there were so many cars and so many people crowded together that it was next to impossible to get pictures of the whole car without getting the background or foreground completely cluttered. So I stuck to the beauty of the cars. Even the simplest car can turn into something artsy if you know where to look :)

Classic American cars

D700, ISO200, 1/180 sec @ f/3.3, Nikkor 50mm

Classic American cars

D700, ISO200, 1/180 sec @ f/3.3, Nikkor 50mm

Classic American cars

D700, ISO200, 1/180 sec @ f/5.6, Nikkor 50mm

Classic American cars

D700, ISO200, 1/250 sec @ f/8, Nikkor 50mm (and some serious cross-processing in Photoshop)

Classic American cars

D700, ISO200, 1/180 sec @ f/5.6, Nikkor 50mm

Classic American cars

D700, ISO200, 1/350 sec @ f/11, Nikkor 50mm

Classic American cars

D700, ISO200, 1/180 sec @ f/5.6, Nikkor 50mm

Corporate portraits

It’s a bit complicated to do a self portrait and make it look good, that’s why he let me do it ;)
But if you need video, you really have to contact Peter John Mäki. He’s the main camera guy at Communication & Design / White Herring Video Productions. It is a company creating a variety of video productions: from family events to documentaries and high-quality corporate and commercial material.

Communication & Design / White Herring Video Productions

D700, ISO1600, 1/500 sec @ f/11, Nikkor 50mm, two off-camera SB-800s with Photoflex softbox and some post-processing in Photoshop for a clean finishing touch

Miracle Max / Help Portrait project

Last year a bunch of photographers decided to participate in the Help Portrait project. In short: a photographer takes a picture and provides a print (or two) without any charge for time or material for someone he or she believes is in need. The “rules” also stipulate that the photographer is not to write about it or add the images to a portfolio, but I asked for and got the parents’ permission to write a blog post about this, because to me this is such a special situation (I’m sure everyone participating will say that about their project).

So… My “project”…
It’s always a bit tricky to ask something like this from someone in your direct circle of friends, especially in a case where the “need” is so hard to define, so at first I wasn’t sure if I should ask Max’s parents at all if I could do it. But they thought it a nice idea, except the timing wasn’t all too good.

Max is probably one of the bravest little fellows you’ll ever meet. He’s a, now, 5-year old boy who was diagnosed with a malign, inoperable brain tumor a few months before we decided to participate in Help Portrait.
The shock for us was already significant. Someone so young being faced with such an unfair, harsh future. You can imagine (or actually I doubt if anyone can who hasn’t been through it themselves) what impact this must’ve had, and still has, on Max’s parents and sister and environment.

Around the time I asked Max’s parents how they felt about me doing this Max was in the middle of his radio treatments. He was sick, nauseous and exhausted all the time and didn’t at all look like himself because of all the medication, so we agreed to postpone the whole thing until Max was feeling a bit better.

A lot of things have happened since, and even though the medical world is kind of helpless in this case, Max has been doing relatively ok, and I had the privilege to be invited to his 5th birthday party just last weekend. He was looking fabulous, and if you wouldn’t know something was wrong, you wouldn’t have been able to tell. He was just like any other 5-year old, playing, laughing, running around…

Max

Max

Max

Max

It’s hard to know and accept that that’s basically the only thing I am able to do for them, when there’s so much more you wish you could do.
The only other thing I can say is Respect, with a capital R, for Max and his parents and sister.

Max had another MRI yesterday to see what’s going on in his head right now, and if you have a spare moment, I’d like you to send your prayers, good Karma, positive energy to Max and his family.
It’s the only thing we can do to help.

If you’re interested in following Max and his family or if you personally want to leave them a few words of support, you can sign up for the Facebook group Miracle Max: http://www.facebook.com/robert.gerritsen#!/group.php?gid=159940013092

Butterfly lighting without studio equipment

All you need is a dinner table, a willing family member, an Ikea light and a camera. Et voilà.

Butterfly lighting

D700, ISO3200, 1/125 sec @ f/4.8, Nikkor 50mm

Isn’t he cute? (part II)

Awhile back I wrote a little bit about our godson. He’s the cutest boy you’ve ever seen. Recently me and the better half have been so busy that we haven’t really had time to meet up with godson and parents, and you know how kids in that age grow and change in an instant…
The other night mom and godson came over for dinner and I managed to quickly grab a few shots. And the little guy is just getting cuter and cuter!
Love him! :)

Noah

D700, ISO400, 1/125 sec @ f/4, Nikkor 70-200mm

Noah

D700, ISO400, 1/125 sec @ f/4, Nikkor 70-200mm

It’s a cliché…

Here are some pictures that every photographer should have in his or her portfolio. I think ;)
One of those images is a very cliché image of birds sitting on an electricity wire. Where I’m currently residing, obviously birds aren’t all that keen on sitting on an electricity wire in big numbers, and I’ve been looking out for an image like that for I don’t know how long. Over time I’ve seen some sitting here and there, but I never wanted to take the shot, because, cliché as it already is, I did want to have a version that stands out from the pack at least that much.
During our holidays in Oregon I finally came across a scene that could fit the description. And when I moved in closer, camera at the ready, and the birds got restless and started flying away, I think I finally got my shot.
Below a few of (a good number) of the images I shot and the last one would be my favorite…

D700, ISO200, 1/180 sec @ f/8, Nikkor 50mm 1.4

D700, ISO200, 1/180 sec @ f/8, Nikkor 50mm 1.4

D700, ISO200, 1/180 sec @ f/8, Nikkor 50mm 1.4

D700, ISO200, 1/180 sec @ f/8, Nikkor 50mm 1.4

D700, ISO200, 1/180 sec @ f/8, Nikkor 50mm 1.4

D700, ISO200, 1/180 sec @ f/8, Nikkor 50mm 1.4

D700, ISO200, 1/180 sec @ f/8, Nikkor 50mm 1.4

D700, ISO200, 1/180 sec @ f/8, Nikkor 50mm 1.4

Color or Black and White?

Usually I know it instantly.
I see things in black and white when they “need” to be in black and white. Or at least when I think they “need” to be, since that’s a personal taste matter.
But this particular image was one of those ones of which I wasn’t quite sure. And I do think it works very well in both color and black and white…

D700, ISO200, 1/250 sec @ f/11, Sigma 10-20mm

D700, ISO200, 1/250 sec @ f/11, Sigma 10-20mm

Same camera settings, converted to black and white in Photoshop with some dodging and burning in the sky

Same camera settings, converted to black and white in Photoshop with some dodging and burning in the sky

Isn’t he cute?

It’s been awhile… It’s been madhouse in this end of the line.
It’s been long days and short nights. And it will be like this for a while still, it seems.

I’ve got some Canary Island stuff still in queue, but this is going first. There’s no way anyone’s going to out-cute this ;)

Nikon D200, ISO100, 1/250 sec @ f/2.8, Nikkor 50 mm, off-camera SB-800

Nikon D200, ISO100, 1/250 sec @ f/2.8, Nikkor 50 mm, off-camera SB-800

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